Sean sings the praises of the enjoyable 1963 musical, Bye Bye Birdie, in this month’s “Once Upon a Time in Film Scoring” column.
All tagged Once Upon a Time in Film Scoring
FILM / Once Upon a Time in Film Scoring / Immortal Beloved / Sean Woodard
In this month’s Once Upon a Time in Film Scoring, Sean explores the role of Ludwig van Beethoven’s music in the biopic Immortal Beloved.
FILM / Once Upon a Time in Film Scoring / The Psychic / Sean Woodard
Sean’s Once Upon a Time in Film Scoring column returns with an examination of the score for Lucio Fulci’s psychological giallo, The Psychic.
FILM / Once Upon a Time in Film Scoring / From Noon Till Three / Sean Woodard
For this month’s Once Upon a Time in Film Scoring column, Sean examines Elmer Bernstein’s theme for the underrated Charles Bronson Western, From Noon Till Three.
FILM / Once Upon a Time in Film Scoring / Top Gun / Sean Woodard
Sean explores one of the best-settling soundtracks of the 1980s, Top Gun, in this month’s Once Upon a Time in Film Scoring column.
FILM / Once Upon a Time in Film Scoring / Walk Hard: The Dewey Cox Story / Sean Woodard
Dewey Cox is “guilty as charged” in Sean Woodard’s latest Once Upon a Time in Film Scoring column.
FILM / Once Upon a Time in Film Scoring / Once Upon a Time in America / Sean Woodard
Sean Woodard examines Ennio Morricone’s score for Sergio Leone’s magnus opus, Once Upon a Time in America.
FILM / Once Upon a Time in Film Scoring / Silence / Sean Woodard
Sean Woodard examines the importance of natural sound and the limited use of music in Martin Scorsese’s Silence.
FILM / Once Upon a Time in Film Scoring / Inside Llewyn Davis / Sean Woodard
“If it was never new, and it never gets old, then it’s a folk song.” Sean Woodard breaks down the themes and songs of the Coen Brother’s masterful Inside Llewyn Davis.
Sean Woodard analyzes the religious horror elements of the theme for The Omen.
Sean Woodard breaks down the use of music in Rob reiner’s 1986 coming-of-age classic Stand by Me.
Sean woodard on the cult classic The Phantom of the Paradise: “The film features plenty of trademarks that would later define De Palma’s cinematic style—split-screen, intricately choreographed sequences, optical effects—but the standout is its inspired soundtrack, composed by Paul Williams.”