Everyone’s heads turned as Opal Shane made her way down the auditorium’s aisle.
Today, she was dressed in high-waisted denim shorts, a red-and-black plaid shirt, stacks and stacks of long silver necklaces, and a sheer white cardigan. White chucks and black shades topped it off. 
It didn’t make sense, yet it looked good.

On a bitter January morning, exactly two months and a day after he arrived in the city, a young actor from Broken Bow, Oklahoma (just a good ol’ boy made good, he would eventually claim in interviews, to the delight of the press) woke up in a fourth-floor studio walk up at the edge of Harlem and Washington Heights. A calico cat, purring like a tiny engine, nuzzled against his chest. 

        On his way to Calvary, Jesus stopped for a smoke.
        The Roman guard said it was okay for a break and helped lay
        down the cross. The guard took off his helmet, wiped the sweat
        away, told the crowd to take fifteen and then watched as Jesus
        pulled a smushed pack of unfiltered Camels from the pocket of
        his bloody robe.