Yesterday, you sat on the porch with your scotch and waited for the sun to go down before lighting a cigarette and turning on the radio.
Yesterday, you sat on the porch with your scotch and waited for the sun to go down before lighting a cigarette and turning on the radio.
While reading the Age of Innocence
I stumble upon a curious
Japanese doppelganger
Kurasawa and his man
Toshiro Mifune in
an old samurai movie
a classic
like Edith’s novel
but the two might as well
be Martians to each other
But I have a little more whiskey
and therefore a chance.
around me, the snores,
the window tree,
its overgrown slap against glass,
the scamper of tunneling mice,
the quake of the diurnal
in their murmuring beds,
moon’s spider-leg progress
across the wilds of the ceiling –
A warm breeze fills the empty monastery
As a dull bell lulls the prayer wheel to sleep.
Red robed monks descend the mountain
Through a bullet’s swallowed silence.
I live in a shack in the wilderness.
Without ink, I write poems in my own blood.
I pick wild roses just so the thorns
will pierce my skin.
It hurts but I need the metaphors.
We’re too distracted by our lives
To notice the life around us
So wrapped up in our status
We fail to see anyone else
Thinking we’ve seen it all
Without wanting to see it again
Mike Meraz might be watching it all burn, as the title of his latest poetry collection suggests, but he’s also diligently keeping track of the chaos swirling around him. The attention to imagery and sentiments combines the best qualities of observation with confession.
A face stares out
from the album cover,
worn eyes hiding
behind tinted lenses
the darkness of
the Hollywood
night lit by
a single spotlight